DirectSound or ASIO compatible soundcard.2Ghz AMD or Intel Pentium 3 compatible CPU with full SSE1 support.Up to 64x oversampling (for high-quality FM synthesis).Effects: 13 filter types 3 band Parametric EQ Phaser Chorus Filters.Fully controllable & automatable unison.Multipoint articulation with unique arpeggiator system.6 independent operators with total freedom on oscillator shaping.Sounds cover - Arps Bass Bell Brass Chromatics Drum DX7 Experimental FX Guitar Orchestral Organ Pad Percussion Piano Plucked Sequence Synth String Wind. With over 500 hand-picked presets Sytrus is ready to contribute to any genre immediately upon installation. The filter units are optionally followed by a Chorus Delay & Reverb unit. Sytrus features 3 independent chainable filter units each containing an array of filters (13 types each with 5 cutoff slope settings) and integrated waveshaper (distortion processor). With up to 64x oversampling Sytrus delivers 100% epic sound. The 6 user-definable operators can act as independent oscillators for subtractive synthesis cross-modulate to create complex FM (Frequency Modulation) or RM (Ring Modulation) synthesis or the 256 partial harmonic editor can be used to additively synthesize virtually any timbre you can imagine. FM RM & Subtractive synthesis - have it all! Meticulously crafted Sytrus delivers ethereal lush pads sonorous bells scintillating highs or simply dirty grunge.
Thanks for the help guys.A disruptive innovation in software synthesis nothing else compares to the diversity Sytrus packs. I just change the shape of the oscilator "bars" so that the sound comes in slowly and ends slowly. That's cool, I figured out a way to change it actually. I'm on vacation, so I don't have sytrus in front of me. I think the button to unlock them is down in the bottom right of the env thingy - near the snap button and whatnot. The only other thing I can think of right now is that if you are editing presets, the envelopes are sometimes "locked", simply to prevent stray mouseclicks from borking the careful tweaking up. So make sure the envelope you are editing is enabled. My other mistake is fogeting just which envelopes I've set to be active - disabled envelopes do not effect the sound at all, and do not auto-enable when you edit them. If I'm just looking for volume changes, I usually just edit the last envelope, and leave the rest disabled - this is usually the filter. To make an attack softer, I often have to adjust many envelopes. Keep in mind that the filters have volume envelopes as well as cut envelopes. Sytrus sure does havea lot of envelopes, huh? My big mistake when editing sounds is fogeting that.
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